About Me
  Actually,i'm crazy but cool. But sometimes i feel bore, then i juz walk in a road & see dat people who r very worried & also i'm seeking fnd like life partner, i need a girl who have a great heart for love. Actually i'm seeking a TRUE love.
I am... ummm... always confused! :s ...may b lil bit crazy, loving, caring, daring, simple, thoughtful n hopeful... I am extrovert, ambitious n endless dreamer... Im careful n careless... Im a loser, Im a winner...rebellious when restricted... choosy & always want the best... get angry easily...hardly show emotions... when u treat me well, Im friendly that a human can ever be. Im steady and unstable...easily bored...I look moody bt im nt.. Im hard working n determind...n also the most lazy person in the world! Love to laugh n also freedom lover... dont like being in anykind of binding... Like to talk directly n dont hasitate to admire the truth..I hate liars... I never pay mind to those who talk behind my back bcuz it simply means Im two steps ahead... I know what im doing n y im doing dat... I believe in myself n my abilities.. Im naughty n talk a lot...Lov to make fun...enjoy every moments n I lead a colourful life... smile on the outside, while Im dying inside...if u look at me closely u wil see it in my eyes dat...this boy wil always find his way...
Im always in search of the inner one of mine... I still cant understand myself...how could I make u understand about me?! one more thing, whoeva im n wateva im...im happy with dat...n I love myself :) Im everything n nothing at all...just a human being..... :|
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Interests
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GOOD COMMUNICATION, WATCHING MOVIE, GOOD RELATION, HANG OUT WID FNDS & ALSO LOVE 2 CRY IN DA RAIN.
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Favorite Music
Artcell, Shironamheen, Ajob, Yaatri, Junun, Marliyan Manson, Godsmack, System of down, Children of bodom, Matalica, Backstreet boys, etc....
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Favorite Movies
Colattrel, XXX, X-MEN, SpiderMan, 007, Resedential Evil,THE SIX SENSE, pirates of the carribian, & so manyyyyyyyyyy....
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Favorite Books
Harry Porter, Holud himu kalo rab, Spritual Effect,
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Journal
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Who is Lalon Phokir?
The mainstream of religious life in Bengal, Hindu or Muslim, has always had a parallel marginalized counterpart -- that of the lower class/caste people -- swimming against the mainstream, rebelling against all fundamentalist strictures, working furtively as a culture of silence that is at the same time vocal in surreptitious dissidence. These sub- cultural, liminal "religions" have always based themselves generally on highly syncretic principles. But their practices or sadhonas are seldom acceptable to the 'civilized' all-powerful educated upper class mainly because of their sexual nature. The most prominent sub-cultural sect working out of Bengal are the members of the Baul-Phokir faith.
Members of the faith across all sects and sub-sects regard Lalon Phokir as the "King of Bauls," ubiquitously. He was probably born in 1774 in the part of the formerly larger Nadia district now in Kushtia, Bangladesh, and died in 1890. He had (arguably) lived an amazing 116 years, a highly productive and devout life, gathering disciples and composing innumerable songs. Legend has it that Lalon was born a Hindu and became a Muslim under unusual circumstances. Lalon had set out on a pilgrimage with friends, but contracted small pox soon after departure, and was abandoned for dead. A Sufi practitioner,
Malam Shah, saved him from death. Later on, he was ordained into the discipleship of a certain Shiraj Sain, but his interpretation of Islam was radically different, a far cry from the Koran-based Shariati religious order. Lalon sought to combine it with a loose reading of Tantric Vaishnavism, for to him God was One; human beings have merely made up different names and created institutions to enshrine Divinity in external forms. Lalon wanted to situate his “faith” as counter- institutional, but not as a counter-institution itself!
Lalon lived through one of the most interesting periods of history in the South Asian subcontinent that witnessed cataclysmic changes that came with colonial rule of the British. His songs reflect all of these.
Lalon worked within his small space in nineteenth century Bengal, never aiming to reach high or even enter the world of literary fame. The Bengali literati who controlled visible culture in Bengal in the 19th and 20th centuries have traditionally viewed his music and poetry as "folk art." The literati have always taken what they most needed from Lalon and used it in their own agendas, whether to fold him up in the discourse of a "feel-good" secularism or use him as an icon for a new
nation. The inner quest of the Baul-Phokir sect's bodily practice has never been acceptable to educated upper class mainly because of the sexual nature of their practice. But Lalon, the true philosopher and artist, has existed on his own and in his own right.
What is Man of the Heart?
Consequently, Man of the Heart is no simplistic attempt to tell Lalon Phokir's story through a flat biographic narrative that can at best be a partial telling. Nor is it a dry, fact-based documentary. Man of the Heart pushes the boundaries of normative theatrical practice in its attempt to present Lalon as a translucent lens to both look-at and look- through by means of a multi-media performance that invites the audience to both empathize and analyze. This project is not merely an
effort to showcase a culture that is undeservedly underrepresented in the global context (although Bengali is recognized as the sixth most- spoken language in the world), but to translate the cultural specificity of Lalon Phokir's work and bring out the universal human spirit in him that transcends cultural boundaries. For Lalon left a deep message of
harmony for all humanity that cannot be downplayed, least of all in a world that is suffering from the dire lack of it, and more painfully than ever before.
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